Coronary artery vasospasm (CAVS) is a clinical entity that can cause angina, but also unstable angina pectoris, acute myocardial infarction, fatal arrhythmias, and sudden death. Although it is a condition that is usually controlled with medical treatment, more aggressive treatments may rarely be required. In this case, the patient with a known diagnosis of CAVS had multiple arrests despite optimal medical treatment. We observed that fatal arrhythmias persisted in the Implantable Cardioverter Defibrillator (ICD) records, even though we implanted a stent (...) and gave the patient maximal medical treatment. We performed sympathectomy as a last resort and we did not detect any recurrence in the 6-month follow-up of the patient. ICD implantation and sympathectomy should always be considered in resistant CAVS cases. (shrink)

Lee McIntyre Hakikat-Sonrası (Post-Truth, 2018) adlı kitabında, hakikat-sonrası (post-truth) kavramını pazarlama ve televizyon dünyalarındaki tarihsel kökenlerine ve davranışsal psikolojideki kaynaklara dayanarak düşünsel bir kökene bağlar. McIntyre, bu kavramın yalnızca epistemolojik bir sorun olduğunu öne sürer. Bu makalede; ilk olarak hakikat-sonrası kavramı ile hakikatin bağdaşım kuramı arasında benzerlikler belirtilerek ortaya çıkan ortak epistemolojik sorunlar incelenecektir. Daha sonra, kişiselleştirme teknolojileri ve bunların istenmeyen sonuçları olan yankı odası, filtreleme baloncuğu ve siber-balkanlaştırma ile Althusser’in devletin ideolojik aygıtları arasında bir koşutluk kurularak McIntyre’ın yaklaşımı sorunsallaştırılacaktır. (...) Dahası, söz konusu teknolojiler bireyleri birer üretici-tüketiciye (prosumer) dönüştürdüğü için hakikat-sonrası kavramının hem teorik hem de pratik felsefenin alanına girmesiyle aslında ideoloji kavramına karşılık gelen bir yeniyapımdan (neologism) fazlası olmadığı ileri sürülecektir. (shrink)

The distinction between context of discovery and context of justification points out to the difference between the generation a new idea or hyphotesis and the testing of it. Although the distinction is attributed to Hans Reichenbach and Karl Popper, Larry Laudan argues that the history of distinction is dates back to the debates of scientific in the seventeenth century. While in the seventeenth and eighteenth centuries there was no need to distinguish between discovery and justification, in the twentieth century discovery (...) and justification were considered two separate processes. In this paper, it will be argued that the distinction between the context of discovery and justification is untenable given that the history of science is a part of scientific research, as expressed by philosophers such as Kuhn and Feyerabend. (shrink)

Bilime ve bilimsel bilgiye yönelik yaygın görüş, bilimin objektif bir faaliyet olduğudur. Bu görüş bilimsel bilginin elde edilmesinde, bilim insanlarının nesnel bir tavır sergilediğini ve onların sosyal faktörlerden etkilenmediğini varsaymaktadır. Yirminci yüzyılın ikinci çeyreğinde, Viyana Çevresi ve Karl Popper’ın düşünceleri ile bilimde sosyolojik ve psikolojik unsurların keşif bağlamı içerisinde görülebileceği, bilimsel kuramların ve araştırmaların gerekçelendirilmesine yönelik girişimlerin ise yalnızca nesnel, epistemik çalışmalardan oluştuğu ileri sürülmektedir. Keşif bağlamı ve gerekçelendirme bağlamı adı altında yapılan bu ayrıma ilişkin iddialar, Thomas Kuhn’un 1962 yılında (...) yayımlanmış olan ‘Bilimsel Devrimlerin Yapısı’ adlı kitabında vurguladığı argümanlar ile sekteye uğramaktadır. Kuhn, sosyal ve psikolojik etkenlerin her iki bağlamda da yer aldığını ifade etmekte ve bu sebeple keşif ve gerekçelendirme ayrımına karşı çıkmaktadır. Bu çerçevede makalede, Kuhn’un ulaşmış olduğu sonuçlar Güçlü Program’ın öne sürmüş olduğu argümanlar çerçevesinde desteklenerek ortaya konulmaktadır. (shrink)

This article will be based on the concept of respect which is one of the keystone concepts of moral philosophy by Immanuel Kant who is one of the most important philosophers of the history. The Groundwork of the Metaphysics of Morals and Critique of Practical Reason by Kant will be the works to be based on throughout the article. The form of morality of the human who is a social being will be considered by means of the concepts of respect (...) and obligation which are found in these works. Respect which is a principle determines the person for the relation constituted within the realm of common will be discussed by means of its necessity and certainty linked to duty and obligation. The difference by means of context and extent between respect and love which are two basic facts of social life will be pointed out. The formal aspect of Kantian ethics and the morality of law revealed by pure reason, independent of natural causality, constitute the basis of harmonious social structuring. The indispensable importance of the form of Kant's philosophy today, with its moral formula that will continue its currency against the lack of morality, dignity and respect, the necessity of which is clearly revealed in the suffocation of the capitalist system of exploitation, has been the motivation for the disintegration in question. Throughout the study, the basic lines of Kant's ethics will be examined and at the same time, an attempt will be made to shed light on some of today's ethical problems based on these ideas. (shrink)

Background: In order to determine the pathophysiology of tinnitus and deciding on treatment, the function of peripheral hearing organs is very important. -/- Objective: To evaluate the cochlear functions in tinnitus patients with or without hearing-loss(HL). -/- Methods: Participants with tinnitus were divided into two groups; 16 participants with accompanying HL were included in the first study group (SG-I), and 15 participants without HL were included in the second group (SG-II). 21 normal-hearing subjects without tinnitus included as control group(CG). Tinnitus (...) discomfort levels was determined with Tinnitus Handicap Inventory(THI). Besides pure-tone audiometry, Otoacoustic Emissions, to evaluate cochlear functions and to decide dead regions (DR), Threshold Equalizing Noise-(TEN) was used. -/- Results: The threshold-shift was observed with TEN in subjects in SG-I and these levels were statistically different from SG-II and CG. There were both threshold-shift and DR in SG-II according to TEN. TEOAEs did not differ between SG-II and CG. The DPOAE results for SG-II showed significant decreases in emission amplitudes at 6 & 8 kHz. -/- Conclusion: While Tinnitus patients with HL can be evaluated with conventional tests, evaluating patients with normal hearing tinnitus with additional tests such as OAE and TEN allows us to get more precise results on the functions of peripheral hearing organs. (shrink)

This article points out the ways in which the relationship between language and political resistance are problematized in “meta-linguistic” science fiction novels after the 1980s. Although the 20th century anti-utopias tend to view language as a prison house for thought and self-determination under oppressive regimes, Suzette Haden Elgin’s Native Tongue (1984), Neal Stephenson’s Snow Crash (1992) and China Miéville’s Embassytown (2011) are distinct novels in the tradition of language-related science fiction, in the sense that these texts imagine possibilities of resisting (...) oppressive power structures by exploring similar conceptions of language as a way of transforming cultural, perceptual and political realities. The article analyzes these novels where resistance is enacted in the forms of language construction, digital world-making and metaphorical language, in order to question their political and fictional potentials for formulizing subversion in our imagined futures. (shrink)

In this paper, we introduce the concepts of Pythagorean fuzzy valued neutrosophic set (PFVNS) and Pythagorean fuzzy valued neutrosophic (PFVNV) constructed by considering Pythagorean fuzzy values (PFVs) instead of numbers for the degrees of the truth, the indeterminacy and the falsity, which is a new extension of intuitionistic fuzzy valued neutrosophic set (IFVNS). By means of PFVNSs, the degrees of the truth, the indeterminacy and the falsity can be given in Pythagorean fuzzy environment and more sensitive evaluations are made by (...) a decision maker in decision making problems compared to IFVNSs. In other words, such sets enable a decision maker to evaluate the degrees of the truth, the indeterminacy and the falsity as PFVs to model the uncertainty in the evaluations. (shrink)

This article is a study with the heading of moral philosophy in age of Enlightenment, to bring together Immanuel Kant, the great philosopher of Enlightenment age and launcher of a new age in history of philosophy and Ludwig van Beethoven, the great composer who was contemporary of him and launcher of a new age in music history. The first part of article is an investigation of the systems of metaphysical philosophy exposed by eminent philosophers since Platon to Kant in general. (...) Henceforth, it is striven to reveal the metaphysics of Kant by means of his way of speculate about it in a different way than all philosophers before him and way of achieve philosophical revolution. The moral philosophy which is in central position of his system of metaphysics has been main theme of this article. In this study, research based on the exposition of moral way of life and world view by Kant and it's influence on the music of Beethoven. It is invesitgated in the last part of article as one of the very crucial example how the musical content of Ninth Symphony by Beethoven is determined by that influence. This work has been a milestone in the music history likewise the break a new ground in philosophy by Kant. Furthermore, year 2020 is coming across the 250th anniversary of birth of Beethoven was an inspiration for this article. (shrink)

This article expands on the concept of aura, within the frame of art ontology, and based on neurophilosophy, the stages of human thought, and peak experiences. Aura, generally signifying the subjective value of a work of art, is in this work associated with peak experiences and neurobiological impacts. In this context, the concept of aura involves an effort to understand the effects that a work of art has on the viewer and how these effects form a peak experience. This study (...) investigates how aura and peak experiences have changed and evolved in different cultural and historical contexts, considering the stages of human thought. In the end, the thesis presents a broader definition of the concept of aura; stating that aura shows variability according to conditions, periods, and spaces, and it is a concept that enables the subject to reach peak experiences. (shrink)

Architectural space has some triggers for unique experiences and one of them is its atmosphere. The atmosphere has an unstable structure, instead of static affectivity, and it feeds on uncertainties of spatial experience. Thus, instead of analyzing the dynamic atmospheres through reductionist definitions, it is necessary to address the existing ontological ambiguity of it. Theories of the atmosphere mostly correspond to physical spaces. However, COVID-19 brings about exponential enhance of digitalization. These digital interactions require a spatial dimension. The atmosphere, as (...) one of the fundamental elements of space, needs attention in digital experiences. This paper aims to explore the perception of the atmosphere in digital space. First, the character of the atmosphere and its role in the architectural space have been reviewed. Later, physical space and digital space were compared in order to build the atmosphere belonging to digital space. Digital space is able to diffuse itself with tensions. We are capable of immediate appreciations, e.g. being inside or outside. Thus, the threshold between bodily experiences and mental emergence becomes the blurred one. Atmospheric interaction can be part of the digital space and this interaction strengthens the spatial dimension of the digital medium. However, instead of producing a simulation of the atmosphere in the physical space, it is necessary to analyze the characteristics of digital space and build a unique atmosphere specifically for it. (shrink)

Inspiration has an important role in design education. Searching existing design examples is a widely-used practice for inspiration. There are two different approaches regarding exposure of examples in design process. Some researchers claim that examples can inspire designers and increase the originality of outcomes, while other researchers highlight that examples cause fixedness to their features as a negative effect for creativity. The aim of the study is to analyse different modalities of examples, such as text, photograph, diagram, object as stimulation (...) and to examine the impact of quantity, abstraction, proximity and method on each modality in design education. The paper reviews empirical studies of idea exposure from the existing literature and summarizes results relevant to understanding the effects of the design examples. Overall, to avoid the potential negative effect of using examples in different modalities, designers could pay attention quantity, abstraction, and proximity of examples for each modality. (shrink)

Naturalism has typically been entangled with a physicalist view. Physicalism, on the other hand, falls short of accounting for qualitative states of mental phenomena. The hard problem of consciousness seems to be a natural epistemic boundary in such a way that we do not even have any conceptualization as to how we can possibly account for mental states in physicalist terms in the future, which leads us to some version of causal/ontological plurality in the sense that it does not seem (...) possible to explain everything with the same parameters even though the world fundamentally consists in a single substance. If plurality in multiple levels of scientific explanation is necessary, I argue that strong emergentism is, as a metaphysical framework, the best candidate to account for this fact. I will tackle two major physicalist views by Kim and Sider. Kim shows us that non-reductive physicalism is a bankrupt project whereas Sider’s physicalism that postulates a pure and complete fundamental level renders higher-level phenomena (including mental reality) metaphysically spurious. In relation to Kim and Sider’s accounts, I will try to elaborate on my view that physicalism, when pursued to the end, is inherently reductive and ultimately falls short of accounting for the mental reality. I emphasize that the causal identification of brain and mind rests on an arbitrary carving of world, namely a description of the world which cannot be intrinsic to nature. These are the main reasons why I conclude that our revised naturalism should be disentangled from physicalism and embrace the causal/ontological plurality of strong emergentism without falling for substance dualism. (shrink)

This article offers a Nietzschean theory of digital will to power to conceptualize the temporality of social media feeds run by algorithms. Stylistic and methodological temporalities of Nietzsche are discussed as well as their influence in subsequent social theory of political technologies. The paradox of heavy investment in both subjective expression and nonhuman temporalization in social media milieus is addressed with the concept of an event-without-witness drawn from Nietzsche’s account of himself as the solitary thinker of catastrophe of nihilism and (...) psychoanalytical and deconstructive literatures on the catastrophes of the 20th century. Nietzsche’s fundamental resistance to and fascination with the philosophical and cultural modes of mummyfication, i.e. eternalization as an expression of the will to power is used to think the will to power in the creative algorithmic temporalization of social interactions through the selection, distribution and serialization of data for social media feeds. (shrink)

The relationship between space and human occurs through the actions performed with the body. The abstraction study as an exploration of the body is one of the significant practices for first-year design students. However, there are not enough investigations for design students regarding body, space and basic design principles. This paper aims to explore the potentiality and limitations of the body-abstraction process by comparing the impact of two different educational models on students' perception and improvement. The applied methodology includes comparing (...) two design processes of the basic design course depending on parameters: Given example, source of the video, type of movement, the number of the selected-used scenes, mode of sketching, the method for production, requested outcome, the scale of the study, the material of models and critique of the video. The results present that the activation of the body through mental practice, drawing and modelling stages is critical to understand its abstract and spatial capabilities. The realisation of the potentials in the relationship between body and abstraction in spatial perception would enable us to create an advanced design process addressing more original concepts. (shrink)

The focus of the article is the self-predication principle, according to which the/a such-and-such is such-and-such. We consider contemporary approaches (Frege, Russell, Meinong) to the self-predication principle, as well as fourteenth-century approaches (Burley, Ockham, Buridan). In crucial ways, the Ockham-Buridan view prefigures Russell’s view, and Burley’s view shows a striking resemblance to Meinong’s view. In short the Russell-Ockham-Buridan view holds: no existence, no truth. The Burley-Meinong view holds, in short: intelligibility suffices for truth. Both views approach self-predication in a uniform (...) way. We were unable to find a medieval philosopher who, like Frege, approaches self-predication in a non-uniform way. We do not want to dispute that there are also considerable differences between the contemporary and the fourteenth-century approach to self-predication. Importantly, fourteenth-century accounts of self-predication rely strongly on the identity theory of predication, and this theory is not endorsed by contemporary philosophers of language. Nevertheless, some basic tenets seem to us to be clearly shared between fourteenth-century and contemporary thinkers. (shrink)

During the idea generation phase of the design process, designers often search for inspirations in external sources of information, such as photographs, written descriptions and physical examples. These sources have potential to enhance creative performance. However, they sometimes become too attached to particular ideas of external precedents or various examples. It refers to fixation which is identified as inadequate adoption of features from existing examples. Influence of the existing examples on creativity and fixation, specifically textual examples, have been discussed in (...) this research. -/- For the nature of design, researchers highlighted the restructuring process of design problem by new sources because the capabilities and boundaries of design problems are not defined very well. Further, the design problem is not knowable at any specific point. Design knowledge identifies itself by its ambiguity. Many models have been developed for design process. The various numbers of divided phases of the models can be seen as having two main areas: (1) idea generation phase (or “ideation”); (2) later phase for details. Idea generation plays an important role in the design process. It is the area of new and creative configurations on design. -/- Creativity is an integral part of the design process. Designers purpose to achieve original ideas to demonstrate their ability and unique designs. External stimuli or inspirational inputs play important roles to increase creativity. They can support moments of stimulation. Associations between information from memory and external stimuli can contribute to the creation of new meanings. Designers are widely influenced by their surroundings in daily lives. However, each stimulus may not be the part of a more creative result Even if designers want to utilize stimulus as an inspirational source, somehow it may fixate their mind to its surface features and they may lose potential creative contributions of the source. It is called fixation. There is much research that shows significant evidence of conformity effects across the design problems. -/- The given examples to designers may cause higher-level fixation and lower-level creativity or vice versa. Fixation may occur when example solutions are introduced, on the other hand, the designers may create more original ideas as well. There is a need for research to find ways to avoid fixation traps or reduce their adverse impact. Thus, this research focuses on variables of the given example. -/- The following claims show some research areas remained unclear: (1) Some researchers investigated textual examples as - one of the modalities of representation - but did not focus on forms of textual examples. (2) Much research has been conducted with examples which are selected by the researcher. Nevertheless, designers can also choose or produce their own stimuli. There is not much research on this possibility. In this context, my research focuses on the following two variables through two studies (Study 1 and 2): (1) forms of textual examples; (2) self-construction of textual examples. First, most of the studies in the literature have focused on visual presentation and there is not enough research on the content and form of the text. The study of textual examples has still not been awarded enough attention especially as various forms of text. Some forms of text are as follows: keyword, paragraph, sentence, poem. These observations lead me to the following research question: Which forms of textual example increase creativity and reduce fixation more? (Study 1). -/- Second, most of the studies regarding textual examples have used prose or keywords. The poems have been ignored. However, poems imply more meaning with fewer words. The structure of the poems enables more creative narratives than structure of prose. Because unusual organization of words stimulates the readers and draws their attention. This activates the creative performance of the reader. The surrealist poem is the extreme form of this activation. It is random assemblies with headlines and sentences which is cut from newspapers. Thus, novel meaning networks are formed. The method of creating a surrealist poem offers a new way of getting inspiration. It is termed as self-construction practice by this research. Through this method, designers create their own example from the given one. Reconstruction of the text may increase the creative process and prevent fixations from the given text. This suggestion led me to the following research question: If the designers write their own poem instead of a given poem (as a self-construction practice), can they internalize the textual example? In addition, does it produce more creative and less fixated designs? (Study 2). Two experimental studies were planned to partially answer the research questions, in which novice students of architecture were asked to solve two different design problems, under different conditions. All of the experimental sessions were conducted in a design education studio. The participants produced sketches and added a written explanation relating to their designs. Fluency, flexibility and repetition of key attributes were calculated by the researcher. -/- Originality, practicality, understanding of the task and quality were ranked by judges. Study 1 shows us tendencies of using various textual forms. Distinctions of keywords and of poems have appeared among them. This emphasizes the role of keyword and poem in the design process as inspirational sources and provides many tips for their potential use. The keyword also leads to a high degree of fixation. However, a low degree of fixation is observed when poems are presented as inspirational examples. -/- In Study 2, the self-constructed poem seems to support develop more successful design ideas from many perspectives. In the context of the surrealist poem, writing and reading the surrealist poem trigger the designers’ imagination. At first, the words and lines of poems seem unrelated to each other and designers try to relate them and solve the puzzle of meaning. Hence, novel meaning networks are formed. It indicates that surrealist poems are able to activate the creative performance of the designers. Writing their own surrealist poems ,as a self-construction practice, motivated designers to begin to produce by having fun. Motivated designers have stimulated themselves to produce creative ideas. In other words, the self-construction process may be added to the design process models in the earlier part of the idea generation phase which is called as pre-design and warm-up phase. This earlier phase makes designers highly motivated and they internalized the given examples. -/- Following the conclusions, several implications and recommendations for the design process and education are discussed. (shrink)

Architectural space has some triggers for unique experiences and one of them is its atmosphere. The atmosphere has an unstable structure so that it is difficult to define clearly. We are capable of immediate appreciation, such as being inside or outside. Thus, the threshold between bodily experiences and mental emergence becomes a blurred one, like a haze. It is sensed in bodily presence by human beings. The boundaries, such as subject and object, are transgressed through the atmosphere. The subject appears (...) as a body and its movement in this discussion. Recognition of the existence of the body in space plays a significant role throughout the architectural design process. Theatrical dance or dance theatre (Tanztheater) practices provide new horizons for understanding the presence of the body in the space. Pina Bausch, as a choreographer, is one of the pioneers of this genre. The aim of the study is to point out the relations of body, space and atmosphere in Pina movie (2011). This study identifies choreographies with different aspects as follows: (1) In the atmospheric aspect; subject, object and their role in the atmosphere of choreographies by Pina Bausch were observed. (2) In the fictional space aspect; various spaces were examined in the sense of body-object-atmosphere interaction. (3) In the bodily aspect; space which is produced by the body and vice versa in dance theatre was investigated in the volumetric reflections of the body. This research contributes to bridging performative arts and architecture as understanding the space. It can be a guide for an architectural design studio to understand the role of the body through dance theatre. (shrink)

Post-truth has an impression that the facts have been only corrupted with it. Many examples support this impression. However, it should not be perceived as just a disruption of the truth considering only political events. In different fields, such as creative industries, it may have different implications. Despite studies regarding education, there has not been much discussion on the design process and education. The objective of this research is to develop an introductory examination of what the design process (with statements (...) in the book 'How Designers Think') can produce in post-truth cases and to seek the productive potentials of post-truth. Therefore, the claims were reviewed - as design problems, solutions and process itself - within the framework of the post-truth era. Some of the results are as follows: For design problems, designers need to find a way to oscillate among objectives without based on truth. Post-truth environments may trigger finding out unique spatial possibilities with designs of unique hierarchies. For design solutions, in post-truth era, the only optimal thing is to be apathetic about truth. There is no need to seek the optimal solutions. The ideal of wholeness is expired for the solutions. This situation fosters free circulations of tiny parts of solutions in the post-truth universe. For the design process, the correctness of the process is much more questionable anymore. Identifying problem is a crucial part of the design process. As the truth disappears, it becomes more difficult to discriminate the characteristics and value of the problems. (shrink)

ENG: The advancement of artificial intelligence (AI) presents a duality of opportunity and risk. On the one hand, there are potential dangers inherent in the development of AI. However, on the other hand, the advent of AI also offers humanity a multitude of possibilities for improvement and advancement. The aesthetic values and cultural expressions that artists encounter in their environment serve to redefine the aesthetic judgments they form, thus determining the paths they subsequently follow. The objective of this research is (...) to examine the impact of AI on the field of aesthetics and culture to identify the changes and transformations occurring within the world of art and design. In the conventional domain of aesthetics, emphasis is placed upon the finished object as a singular entity that will be interpreted as a completed work. In contrast, the emerging field of ‘new aesthetics’ prioritizes the atmosphere, directing our focus to the physical object, which is perceived as a spatial extension. Accordingly, the object is not defined by its intrinsic content, but rather its capacity to expand and occupy space. Thus, the domain of aesthetics has evolved to encompass a spatial dimension. Despite the growing interest in the aesthetic dimensions of AI, there has been little discussion to date about the relationship between atmosphere and the field of AI. This study aims to highlight the lack of attention given to this topic in academic discourse and to introduce a new approach to it. Several implications (regarding general propositions and constituents AI aesthetics) has been placed and finalized with layers of hallucination. The application of AI enables the augmentation of the hallucinatory capabilities of the imagination. However, a current challenge is the tendency of AI-powered digital assistants, such as ChatGPT, to hallucinate and present unreal information as if it were real. In this sense, the relationship between AI and hallucination is evolving in a manner that is perceived to be negative. This is justified given the problematic nature of this issue in scientific studies. However, when considered from the perspective of artistic production, there may be potential for new avenues of creativity and imaginative expression. A reappraisal of the role of atmospheric factors in space design is required. The introduction of a novel aesthetic layer to the atmosphere through the use of AI is a possibility, given the hallucinatory tendencies of AI. - TR: Yapay zekanın gelişimi, insanlık için önemli fırsatlar sunarken, aynı zamanda yeni zorluklar ve riskler de ortaya çıkarmaktadır. Ancak, doğru bir şekilde yönetildiğinde ve kullanıldığında, yapay zeka teknolojisi insan hayatını önemli ölçüde iyileştirebileceği ve birçok alanda yenilikler getirebileceği ön görülmektedir. Estetik değerler ve kültürel ifadeler, sanatçıların estetik yargılarını yeniden tarif etmekte ve izledikleri yolları belirlemektedir. Bu araştırma sanat ve tasarım dünyasındaki değişim ve dönüşümleri incelemek adına yapay zekanın estetik ve kültür alanına tesirini irdelemektedir. Konvansiyonel estetikte nesneye tamamlanmış bir çalışma olarak yorumlanacak bitmiş bir varlık olarak odaklanılmıştır. Ancak atmosferi merkeze alan yeni estetik, odak noktamızı mekandaki fiziksel bir uzantı olan nesneye yöneltmektedir. Dolayısıyla nesne 'içerdiği' şeyle değil, mekana yayılma şekliyle karakterize edilmektedir. Böylelikle estetik teori mekânsal katmanlar edinmiştir. Yapay zeka bağlamında estetik tartışmalarında bir ivme kazanılmış olsa da aynı hareketlilik atmosfer ile yapay zekanın ilişkisinde henüz kurulmamıştır. Bu çalışma literatürdeki bu eksikliğe işaret etmeyi ve bir giriş yapmayı hedeflemektedir. Tartışma önermeler olarak şu başlıklar altında toplanmıştır: Teknik arkaplandaki atmosfer tecrübesinin önemi; Deneyimi fazla olan aktörlerin hiyerarşisi; Kısmi telif hakkına yönelik ‘kısmi’ tanımlamalarının gerekliliği; Çizim becerisiden atmosfer üretme becerisine bir yolculuk; Kültürel ve bedensel referansların yorumlanabilmesi. Yapay zekanın estetiğine dair yapı taşları ise şu başlıklar altında toplanmıştır: Estetik akıntı; Yarı-geçirgen bir estetik; Yapay zekanın ara-fenomen olarak incelenmesi; Metaforik istemler; Halüsinatif katmanlar ve alternatif değerlendirmeler. Çalışmanın sonunda odaklanılan konu yapay zekanın gücü ile imgelemin halüsinatif katmanları artırılabilme potansiye olmuştur. Halüsinasyona dair şuan gündemde olan yegane konu ChatGPT gibi yapay zeka asistanlarının halüsinasyon görmeleri ve gerçek olmayan bilgilerin gerçekmiş gibi sunulmasıdır. Bu haliyle yapay zekanın halüsinasyon ile ilişkisi negatif bir tandansta ilerlemektedir. Bu bilimsel çalışmalarda bir problem olması sebebiyle haklı bir negativiteye sahiptir. Ancak sanatsal üretim tabanında bakıldığında imgelemde yeni kapılar açılabilir. Bu konu özellikle mekanın tasarımına gelindiğinde atmosferik etmenler yeniden değerlendirilmelidir. Atmosferin yapay zeka ile yeni bir estetik katman açması yapay zekanın halüsinasyon yatkınlıklarıyla gerçekleşebilir. (shrink)

This paper explores the impact of furniture and machines on spatial organization and circulation systems in industrial buildings using space syntax analysis. While space syntax research covers various settings, industrial buildings have received limited attention. This study aims to address this gap by examining how machines and furniture influence spatial organization and circulation in two industrial buildings: A Nitrile Glove manufacturing facility and a textile manufacturing factory. The furnished and unfurnished floor plans were analyzed using space syntax software, DepthMapX, with (...) connectivity and agent-based analyses. The results indicate that unfurnished plans have centrally located connectivity values, whereas furnished plans create subspaces with varying connectivity. Agent-based analysis reveals that unfurnished spaces have high density in the center, while furnished spaces distribute density more evenly, resulting in more uniform circulation. This study concludes that industrial building spatial configurations result from a combination of architectural design and the placement of machines and furniture. (shrink)

The first year of design education is essential for students as it is their initial interaction with the design process. Awareness of the body through dance has the potential to reveal bodily experience in space. Abstraction of embodied experience contributes to realising the significance of the body and its analytical dimension for spatial and structural design. This study investigates the impact of embodied experience and abstraction on the architectural design process and the outcome through correlation and regression analysis. We observed (...) that increasing awareness of the space through bodily movement and its drawn representation positively impacted students’ success in architectural design. Also, the measures related to space and structure mainly advanced students’ success in the final design. However, the association of the abstraction process with the final design remained limited. The study’s contribution is the systematic and statistical evaluation of the relationship between body, movement, abstraction and architectural design by constructing a set of measures from various stages of the design studio. We hope our research will provide a basis for the upcoming discourse. (shrink)

How could we go beyond the conventional categorization of the five senses and find out a sixth sense in the observation of a building? Let’s call such a sense atmospheric one. Humans are rooted in the atmosphere, generated by things and space, just as the roots of plants in the soil. To observe novel experiences, we aimed to prioritize the atmosphere and affective encounters in space. First, archive photographs and technical drawings were compiled and examined, parallel with the historical evaluation (...) of the building (Eskişehir Esnaf Sarayı) and its context. However, this reading was not only about the mere transfer of archive data but also their affective engagements of them. Further, the atmosphere and its affects were unveiled through the inherent (and personal) experiences of the space. (shrink)

Considering the propositions of the virtual universe with its short history, there are digital twins and various economic investments. While the Metaverse points out a novel universe, it is able to promise much more than producing a copy of the self and imitation of conventional economic interactions. To reveal these potentials, it is necessary to determine the areas that must be meticulously focused on. Although Metaverse has permeated daily life dialogues, studies in the academic field are limited. Likewise, research about (...) its architecture and space needs to be developed in this area. No matter how far the new universe propositions go, they still stick with the quantitative values of the physical world. This issue obstructs the creation of its own reality. However, the universe's own digitalized digitalised structure does not require that the imagination of the spaces stuck with a quantitative basis. To avoid quantitative and reductive attitudes, focusing on the atmosphere of this universe may be a solution. The study aims to collide the possibilities of the Metaverse and the architectural atmosphere discussions to make an alternative reading of the Metaverse. Developing theories about the atmosphere of spaces and conducting atmospheric studies about Metaverse allow us to develop meta-experiences of the Metaverse. Focusing on the architectural atmosphere, immediate appreciation, ecstatic being and hallucinatory image will deepen the definition of Metaverse and provide a multi-layered experience. The image of the atmosphere and ecstatic being is associated with a ‘hallucinatory image'. The hallucinatory image has a structure that does not narrow down its references to the physical world. With this aspect, it may provide forms of alternative perceptions specific to the Metaverse. The hallucinatory image, parallel with the sensation of an ecstatic being, stimulates us to sense the atmosphere produced by the Metaverse. (shrink)

Metaverse, başka olanakları olan bir evrenin inşa edilmesine yönelik bir girişimdir. Sanal evren önermelerinin çeşitli süreçlerden geçtikten sonra geldiği bu noktada dijital ikizler ve çeşitli ekonomik yatırımlar söz konusudur. Ne var ki, Metaverse yeni bir evrene işaret ederken benliğin bir kopyasını ve konvansiyonel ekonomik etkileşimlerin imitasyonunu üretmenin çok daha ötesini vaad edebilir. Ancak bu potansiyelleri açığa çıkarabilmek için yoğunlaşılması gereken alanları titizlikle tespit etmek gerekir. Metaverse, gündelik hayat diyaloglarına epey sızmış olsa da akademik alanda yapılan çalışmalar sınırlıdır. Keza mekana dair (...) araştırmaların da bu alana odaklanacak şekilde geliştirilmesine ihtiyaç vardır. Yeni evren önermeleri, ne kadar yol alırsa alsın bir noktada fiziksel dünyanın nicel değerlerine tutunması nedeniyle kendi gerçekliğini yaratmasını engellemektedir. Oysa evrenin kendi altyapısının sayısal sistemlere dayanması, ürettiği ve üreteceği mekanların tahayyülünün de nicel bir tabanda sıkışmasını gerektirmez. Nicel ve indirgemeci tavrı kırabilmek adına bu evrenin atmosferlerine yönelmekte fayda vardır. Çalışmanın amacı Metaverse’ün gündeme getirdiği olasılıkları mimari atmosfer tartışmalarıyla çarpıştırmak ve Metaverse’e dair alternatif bir okuma yapmaktır. Mekanların atmosferine dair teorilerin geliştirilmesi ve atmosferik çalışmaların yapılması, bu öte-deneyimlerin tarif edilmesine imkan verecektir. Mimari atmosfere, anidenliğe, esrik varoluşa ve halüsinatif imgeye odaklanılması Metaverse’ün açılımlarını artıracak ve çok katmanlı bir deneyimi mümkün kılacaktır. Atmosferin özne ve nesne gibi sınırları aşan bir fenomen olduğu öne sürülebilir. İnsanları, yerleri ve şeyleri birbirine bağlamasıyla atmosferler, bağlayıcı ve bütünleyici bir tavra sahiptir. Atmosferin kaynağı olan noktayı tam olarak belirlemek güçtür, mekanı bulutsu bir biçimde doldurur. Bulanık görüyü artıran başka bir özellik de atmosferin birden içine düşüldüğüne yönelik deneyimde yatar. Atmosferin tınıları kendini esrik varoluşta duyumsatır. Esriklik özün doğrudan tezahürü olarak da ele alınabilir. Atmosferin ve esrik varoluşun bağdaştığı imge, ‘halüsinatif imge’ olarak tarif edilebilir. Halüsinatif imgenin referanslarını fiziki dünya ile sınırlamayan bir yapısı vardır. Bu yönü ile Metaverse’e özgü alternatif algıların oluşmasına aracı olabilir. Nitekim halüsinatif imgelem, bulutsu dağılımın içine aniden sürükleniş veya dalma hali ile oluşan imgeleri tarif eder. Esrik varoluşun duyumsanmasına paralel bir şekilde oluşan bu imge, bizi Metaverse’ün ürettiği atmosfere içkin bir hale getirecektir. (shrink)

Interaction with the environment occurs in the perception of movement. Movement is the basic concept of mobility. Development and diversification (i.e., faster transportations, new technological access, etc.) of movement concepts may contribute modern people to become independent of any place. Nomadic cultures constitute the basic principles of mobile architecture with light, portable materials and flexible constructions. In the industrial age, futurist manifesto announced machine-housing concepts. The mechanized perception of the spaces prepared ground for mobilization. Mobility, as a source of independence (...) from places, is sometimes a preference but sometimes the result of urgency. “Individual preference”, “cultural movement” and “forced movement” are key reasons for movements which may differentiate modes of mobile space. The objective of this study to examine distinctive features of mobile spaces of forced movements (i.e., for refugees) by comparing with other types of mobility (individual preference and cultural movement). Various design competitions were held for mobile spaces. The cases were selected for this study, considering the role of the user’s profile (unspecific users; nomads/immigrants; refugees) who live in mobile spaces. We analyzed awarded/selected projects for each type of mobility. As a result of examining the awarded outcomes of the competition the following parameters were detected: quantity of users; designer's choice for location; reaction to the environment; contextual attention; scope of modularity; mode of portability; type of portability; cost of materials and construction; proposal for belonging; sensitivity for sustainability. It seems that current events in the world have transformed the concept of mobility and led to the development of new definitions of mobility. This paper presents one of the new definitions of mobility, specifically for refugees. Many aspects of mobile architecture for refugees, as a new definition of mobility, has shown in this study. (shrink)

Bachelard üzerinden bir Pallasmaa okuması… Mimari imgelemin şiirsel inşası üzerinde duran iki düşünürün çalışmalarına çapraz bir bakış denemesi bu. İmgelemin psikososyal kuruluşunu değil, mutlak kişiselliğini eksen alan güzergahta konumlanıyor. Mimarlığın tırmanan ekonomize edilme serüvenine direnen bir şiirsel damar arayışının iki bağlantılı aktörünün düşüncelerine yaklaşmayı deniyor.

This paper examines how professionals (N = 32) working on artificial intelligence (AI) view structural AI ethics challenges like injustices and inequalities beyond individual agents' direct intention and control. This paper answers the research question: What are professionals’ perceptions of the structural challenges of AI (in the agri-food sector)? This empirical paper shows that it is essential to broaden the scope of ethics of AI beyond micro- and meso-levels. While ethics guidelines and AI ethics often focus on the responsibility of (...) designers and the competencies and skills of designers to take this responsibility, our results show that many structural challenges are beyond their reach. This result means that while ethics guidelines and AI ethics frameworks are helpful, there is a risk that they overlook more complicated, nuanced, and intersected structural challenges. In addition, it highlights the need to include diverse stakeholders, such as quadruple helix (QH) participants, in discussions around AI ethics rather than solely focusing on the obligations of AI developers and companies. Overall, this paper demonstrates that addressing structural challenges in AI is challenging and requires an approach that considers four requirements: (1) multi-level, (2) multi-faceted, (3) interdisciplinary, and (4) polycentric governance. (shrink)

Nhãn hiệu (NH) và tên thương mại (NH&TTM) là hai đối tượng quyền sở hữu trí tuệ (SHTT) phổ biến được các doanh nghiệp sử dụng trong hoạt động sản xuất, kinh doanh. Tuy nhiên, giữa hai đối tượng này lại thường xảy ra xung đột do một dấu hiệu có thể đồng thời được đăng ký/sử dụng với hai vai trò/chức năng khác nhau bởi hai chủ thể khác nhau. Trong những năm gần đây các vụ việc tranh chấp (...) giữa NH&TTM cũng trở nên thường xuyên hơn và có thể được giải quyết theo các cơ chế khác nhau (hành chính, dân sự hay hình sự). Bài viết giới thiệu một số tình huống tranh chấp giữa NH&TTM đã được giải quyết tại tòa án và đề xuất một số khuyến nghị về chính sách, pháp luật. (shrink)

By now a consensus has emerged that people, when subjected to high-stakes decisions through automated decision systems, have a moral right to have these decisions explained to them. However, furnishing such explanations can be costly. So the right to an explanation creates what we call the cost problem: providing subjects of automated decisions with appropriate explanations of the grounds of these decisions can be costly for the companies and organisations that use these automated decision systems. In this paper, we explore (...) whether large language models could prove significant in overcoming the cost problem. We provide an initial case for believing that they can but only with serious ethical costs. (shrink)

We explore the question of whether machines can infer information about our psychological traits or mental states by observing samples of our behaviour gathered from our online activities. Ongoing technical advances across a range of research communities indicate that machines are now able to access this information, but the extent to which this is possible and the consequent implications have not been well explored. We begin by highlighting the urgency of asking this question, and then explore its conceptual underpinnings, in (...) order to help emphasise the relevant issues. To answer the question, we review a large number of empirical studies, in which samples of behaviour are used to automatically infer a range of psychological constructs, including affect and emotions, aptitudes and skills, attitudes and orientations (e.g. values and sexual orientation), personality, and disorders and conditions (e.g. depression and addiction). We also present a general perspective that can bring these disparate studies together and allow us to think clearly about their philosophical and ethical implications, such as issues related to consent, privacy, and the use of persuasive technologies for controlling human behaviour. (shrink)

What can we know? We know many things about the world around us: whether it is raining outside, the result of last night’s game, or how vaccines work. But we also want to know more. For example, we may want to know the ultimate origin of the universe, whether God exists, or whether there are such things as souls. Philosophers have long asked this type of questions — questions that concern a kind of knowledge that goes beyond our experience. A (...) wide range of answers (often contradicting each other) have been endlessly debated. Dissatisfied with this state of inquiry, Kant proposes a revolution in philosophy, which does not consist in devising new answers to these questions, but rather in analyzing our own capacity for knowledge. Such an analysis aims to shed light on the limits of our cognitive faculties and to reveal their true potential. In this article, we will see how Kant’s philosophy offers a revolutionary approach to our deep thirst for knowledge. (shrink)

We care what people think of us. The thesis that beliefs wrong, although compelling, can sound ridiculous. The norms that properly govern belief are plausibly epistemic norms such as truth, accuracy, and evidence. Moral and prudential norms seem to play no role in settling the question of whether to believe p, and they are irrelevant to answering the question of what you should believe. This leaves us with the question: can we wrong one another by virtue of what we believe (...) about each other? Can beliefs wrong? In this introduction, I present a brief summary of the articles that make up this special issue. The aim is to direct readers to open avenues for future research by highlighting questions and challenges that are far from being settled. These papers shouldn’t be taken as the last word on the subject. Rather, they mark the beginning of a serious exploration into a set of questions that concern the morality of belief, i.e., doxastic morality. (shrink)

Although 43 countries have a monarch as their head of state, the question of whether monarchies can be morally justified has been neglected by contemporary philosophers. In this article, I argue that it is doubtful whether any existing monarchies can be morally justified. As I show, they all suffer from one or more of the following defects: they flout democratic principles; they are non-meritocratic; and/or they fail to provide at least some royals with an adequate range of lifestyle options. However, (...) I go on to identify a novel type of elective monarchy that escapes these problems, and which, I submit, can be vindicated as long as it serves legitimate public objectives (e.g. by promoting social cohesion among citizens and/or by fostering international trade). (shrink)

In this paper, I present the results of an experimental study on intuitions about moral obligation (ought) and ability (can). Many philosophers accept as an axiom the principle known as “Ought Implies Can” (OIC). If the truth of OIC is intuitive, such that it is accepted by many philosophers as an axiom, then we would expect people to judge that agents who are unable to perform an action are not morally obligated to perform that action. The results of my experimental (...) study show that participants were more inclined to judge that an agent ought to perform an action than that the agent can perform the action. Overall, participants said that an agent ought to perform an action even when they said that the agent cannot do it. I discuss the implications of these results for the debate over OIC. (shrink)

This brief article presents a Buddhist answer to the question of whether self-transformation possible and, if so, how it can be achieved.

Although the fictional domain exhibits a prima facie freedom from real-world moral constraints, certain fictive imaginings seem to deserve moral criticism. Capturing both intuitions, this paper argues for double-standard moralism, the view that fictive imaginings are subject to different moral standards than their real-world counterparts. I show how no account has, thus far, offered compelling reasons to warrant the moral appropriateness of this discrepancy. I maintain that the normative discontinuity between fiction and the actual world is moderate, as opposed to (...) one that leaves fictive engagements wholly exempt from moral evaluations. I propose a way of addressing the gamer’s dilemma that is compatible with a moderate kind of discontinuity. Finally, I contend that the audience is justified in adopting deviant moral attitudes in fictional situations because their consequences largely differ from those that analogous real-world events would have. (shrink)

In this paper, I argue that, if ‘the overrepresentation of Christian theists in analytic philosophy of religion is unhealthy for the field, since they would be too much influenced by prior beliefs when evaluating religious arguments’ (De Cruz and De Smedt (2016), 119), then a first step toward a potential remedy is this: analytic philosophers of religion need to restructure their analytical tasks. For one way to mitigate the effects of confirmation bias, which may be influencing how analytic philosophers of (...) religion evaluate arguments in Analytical Philosophy of Religion (APR), is to consider other points of view. Applied to APR, this means considering religious beliefs, questions, and arguments couched in non-Christian terms. In this paper, I focus on Islam in particular. My aim is to show that Islam is a fertile ground of philosophical questions and arguments for analytic philosophers of religion to engage with. Engaging with questions and arguments couched in non-Christian terms would help make work in APR more diverse and inclusive of religions other than Christianity, which in turn would also be a first step toward attracting non-Christians to APR. (shrink)

This paper examines whether atheists, who believe that God does not exist, can have faith. Of course, atheists have certain kinds of faith: faith in their friends, faith in certain ideals, and faith in themselves. However, the question we’ll examine is whether atheists can have theistic faith: faith that God exists. Philosophers tend to fall on one of two extremes on this question: some, like Dan Howard-Snyder (2019) and Imran Aijaz (2023), say unequivocally no; others, like Robert Whitaker (2019) and (...) Sam Lebens (2023), say unequivocally yes. Here, I take a middle position: I argue that atheists can have action-focused theistic faith (faith in how they act) but not attitude-focused theistic faith (faith in what attitudes they have). (shrink)

Can perceptual experiences be states of uncertainty? We might expect them to be, if the perceptual processes from which they're generated, as well as the behaviors they help produce, take account of probabilistic information. Yet it has long been presumed that perceptual experiences purport to tell us about our environment, without hedging or qualifying. Against this long-standing view, I argue that perceptual experiences may well occasionally be states of uncertainty, but that they are never probabilistically structured. I criticize a powerful (...) line of reasoning that we should expect perceptual experience to be probabilistic, given their interfaces with unconscious probabilistic information, with behavior responsive to it, and with credences. (shrink)

This paper delves into the significance and challenges of Artificial Intelligence (AI) ethics and justice in terms of Common Good and Well-being, fairness and non-discrimination, rational public deliberation, and autonomy and control. Initially, the paper establishes the groundwork for subsequent discussions using the Academia Sinica LLM incident and the AI Technology R&D Guidelines of the National Science and Technology Council(NSTC) as a starting point. In terms of justice and ethics in AI, this research investigates whether AI can fulfill human common (...) interests and welfare. Taking AI injustice as an example, I analyze the practical assessment of AI regarding regional, industrial, and social impacts. Further, this paper discusses the challenges of fairness and non-discrimination in AI, specifically addressing the issue of training on biased data, discussing the acquisition of bias by AI and post-processing supervision issues, and emphasizing the importance of rational public deliberation in this process. Then, this research examines the challenges and countermeasures the rational public faces in public deliberation, such as the importance of education in STEM scientific literacy and technological capabilities. Finally, in discussing AI and autonomy, I propose a 'Human-Centered Approach’ rather than relying solely on the 'Technological Utility Maximization' brought by AI to achieve substantial AI justice. -/- Keywords: AI Ethics and Justice, Fairness and Non-Discrimination, Biased Data Training, Public Deliberation, Autonomy, Human-Centered Approach . (shrink)

What sorts of consideration can be normative reasons for action? If we systematize the wide variety of considerations that can be cited as normative reasons, do we find that there is a single kind of consideration that can always be a reason? Desire-based theorists think that the fact that you want something or would want it under certain evaluatively neutral conditions can always be your normative reason for action. Value-based theorists, by contrast, think that what plays that role are evaluative (...) facts (or the facts that subvene them) about what you want, such as the fact that having it would be good in some way. This paper argues that value-based theorists are wrong; if we try to find a single kind of consideration that can always be normative reason, we find that sometimes our reason is the fact that we want something and not any corresponding evaluative fact. (shrink)

This essay explores the concept of emergence within the framework of noncommutative systems, challenging traditional views that tie emergent behaviour to commutative rule sets. Emergence typically refers to the phenomena where higher-level complexity arises from the interactions of simpler components, often under deterministic and commutative systems. However, noncommutative systems, where the order of operations affects the outcome, introduce a unique layer of complexity that complicates this understanding. By examining the properties of noncommutative systems through formal mathematical analysis and exploring case (...) studies from quantum mechanics, this essay investigates whether emergence can genuinely arise under noncommutative conditions. The findings suggest that noncommutative rule sets lead to a richer and more intricate form of emergent behaviour, characterised by path dependence and sequence sensitivity. This challenges our existing models of complexity and opens up new pathways for understanding emergent phenomena in both physical and cognitive systems. The implications of this analysis extend beyond theoretical curiosity, suggesting that emergent properties may exist in unexpected and non-linear domains, reshaping our perception of order, chaos, and complexity. (shrink)

For computer simulation models to usefully inform climate risk management, uncertainties in model projections must be explored and characterized. Because doing so requires running the model many ti...